KünstlerInnen

A B C D E F G H I J K L M N O P R S T U V W Y Z

Candice Breitz

* in Johannesburg, 1972, lebt derzeit in New York.
1996 - 1997 Whitney Independent Studio Program - Whitney Museum (NYC) / 1997 Mag.Phil. in Kunstgeschichte - Columbia University (NYC) / 1995 Mag.Art. der Kunstgeschichte - University of Chicago (Chicago) / 1993 Bakkalaureus. (Bildende Kunst) - University of the Witwatersrand (Johannesburg)


Einzelausstellungen (Auswahl):
1998 Johnen & Schöttle (Cologne) / Sala Mendoza (Caracas) / Chicago Project Room (Chicago) / Roger Björkholmen (Stockholm) / 1999 Rüdiger Schöttle (Munich) / Roger Björkholmen (Stockholm) / 2000 New Museum of Contemporary Art (New York) / Centre d'Art Contemporain Gen?ve (Geneva) / Art + Public (Geneva) / Francesca Kaufmann (Milan) / Chicago Project Room (Chicago) / Künstlerhaus Schloss Wiepersdorf (Wiepersdorf)

Gruppenausstellungen (Auswahl):
1997 Artist's Space - `Permutations' - New York / Johannesburg Biennale '97 - `Graft' / Espacio 204 - 'Transonic' – Caracas / 1998 XXIV Bienal de S?o Paulo - 'Roteiros, Roteiros…' - Brasil / Canal de Isabel II - `Interferences' - Madrid / Centro Atlantico de Arte Moderno - `Transatlantico' - Canary Islands / 1999 6th International Istanbul Biennial - curated by Paolo Colombo – Turkey / Neue Galerie Graz / Kunsthaus Mürzzuschlag - `The Anagrammatical Body' / Museum Ludwig Köln - 'Global Art 2000: Art-Worlds in Dialogue' / 2000 Kwangju Biennale Korea 2000 - curated by René Block - South Korea / Kunstverein München - 'The Wounded Diva' – Munich / Museum Fridericianum - 'Das Lied von der Erde' – Kassel

Bibliographie:
Accone, Darryl. `Breitz ticks off the viewers with a colour balance that disturbs the rainbow nation,' The Sunday Independent (Johannesburg: September 15, 1996).
Allerholm, Milou. `Blicken återförs till betraktarens begär,' Dagens Nyheter (Stockholm: November 23, 1998).
Atkinson, Brenda. `Rethinking Pornography: Imaging Desire (Candice Breitz interviewed by Brenda Atkinson,' Camera Austria (No 56: 1996).
Atkinson, Brenda and Breitz, Candice. Grey Areas: Representation, Identity and Politics in Contemporary South African Art. (Johannesburg: Chalkham Hill Press, 1999).
Axel, Brian. `Disembodiment and the Total Body,' Third Text 44 (Autumn, 1998).
Behr, Martin. `Erlebnisreiche Reise zu postkolonialer Kunst,' Salzburger Nachrichten (September 24, 1996).
Bydler, Charlotte. 'The Democratic Image,' Aftonbladet (Stockholm: September 1, 1998).
Campbell, Clayton. `Candice Breitz, David Levinthal, and David McGee at Craig Krull,' Flash Art (No. 195: Summer 1997).
Chang, Danielle (curator). Romper Room. (New York, November 1996).
Corbetta, Caroline. 'Candice Breitz: Francesca Kaufmann,' Flash Art Italia (No. 221: April - May, 2000).
Dattenberger, Simone. 'Schwarze Säcke am Firmament,' Münchner Merkur 210 (Munich: September 12, 1997).
Dziewior, Yilmaz. `Candice Breitz: Galerie Johnen & Schöttle,' Artforum (March 1999).
Enwezor, Okwui and Zaya, Octavio. `Moving In: Eight Contemporary African Artists,' Flash Art (No. 186: January - February, 1996).
Enwezor, Okwui. `Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation,' Third Text (Autumn, 1997).
Enwezor, Okwui and DeBord, Matthew. Trade Routes: History and Geography. (2nd Johannesburg Biennale Catalogue, 1997).
Friedman, Hazel. `Skin Graft,' The Weekly Mail and Guardian (Johannesburg: August 23-29, 1996).
Gallero, José Luis. `Reivindicación de la Intrascendencia,' ABC de las Artes (Madrid: April 10, 1998).
Geers, Kendell. `Dangers inherent in foreign curating,' The STAR Tonite! (Johannesburg: 19 March, 1997).
Gilman, Sander. `Truth Seeking, Memory and Art: Comments Following Four Weeks of Life in the New South Africa,' Johannesburg Biennale Catalogue (Johannesburg: 1995).
Greig, Robert. `Unmasking the Self in Grotequeries of the Other,' The Sunday Independent (Johannesburg: September 8, 1996).
Higgie, Jennifer. `Istanbul Biennial,' Frieze (Issue 50: January - February, 2000).
Hill, Rowena. 'La fotograf?a y el cirujano,' El Universal (Caracas: February 8, 1998).
Hoffmann, Justin. `Inklusion: Exklusion,' Kunstforum (No. 136: February - May 1997).
Hunt, David. 'Candice Breitz: Fighting Words,' Flash Art (No. 211: March - April, 2000).
Hunt, David. `Sixth International Istanbul Biennial,' Art & Text (No. 68: February - April, 2000).
Hütter, Frida. `Welt-Nachrichten,' Kleine Zeitung (Graz: September 21, 1996).
Kandel, Susan. `Feminine Perspective,' Los Angeles Times (Friday, April 18, 1997).
Kibanda, Nadine. 'Out of Africa: La Storia Oltre Le Frontiere,' Flash Art Italia (February - March, 2000).
Köhler, Stefan. 'S?o Paulo's Window to Unseen Art,' The Japan Times (Saturday, November 28, 1998).
Kortun, Vasif and Antmen, Ahu. 'The Istanbul Fall: A Journey Through a Sensitive Megapolis,' Flash Art (No. 209: November - December, 1999).
Kravagna, Christian. 'Curatorial Globe-Trotting,' Die Beute (2/97).
Kravagna, Christian. 'Mr. Livingstone, I presume...,' Springer (Vienna: Band III, Heft 2/97).
Krumpl, Doris. `Rand-Zonen und die Kunst der Landvermessung,' Der Standard (Graz: September 23, 1996).
Herkenhoff, Paulo and Pedrosa, Adriano. XXIV Bienal de S?o Paulo: "Roteiros," (S?o Paulo: Takano Editora Gr?fica Ltda, 1998).
Law, Jennifer. 'Ghost Stories: Democracy, Duplicity and Virtuality in the Work of Candice Breitz,' Frauen Kunst Wissenschaft (January, 2000).
Law, Jennifer. 'The Treachery of Images: Photomontage and the "New" Surrealism in South Africa' (Publication forthcoming).
Leon, Vicglamar Torres. 'Etnograf?a y pornograf?a en la mirada fotogr?fica,' El Globo (Caracas: January 16, 1998).
Liebs, Holger. 'Wenn der Skorpion auf die Grille trifft,' Süddeutsche Zeitung (Munich: November 12, 1998).
Marchart, Oliver. `Geschüttelt, nicht gerührt,' Falter Verlag (Vienna: October 3, 1996).
Michelson, Anders. `Black Looks: White Myths,' Flash Art (No. 183: Summer, 1995).
Michelson, Anders and Zaya, Octavio (editors). `Project for Interzones,' Interzones: A Work In Progress. (Kunstforeningen: Copenhagen, 22 June - 25 August, 1996).
Monsalve, Yasmin. 'Dialogo entre pornograf?a y etnograf?a,' El Universal (Caracas: January 16, 1998).
Oguibe, Olu. `Beyond Visual Pleasures: A Brief Reflection on the Work of Contemporary African Women Artists,' in Hassan, Salah (editor). Gendered Visions. (New Jersey: African World Press, 1997).
Oliv, Freia. 'Galeriespaziergang: Von Mimmo Paladino über Candice Breitz bis Michaela Meli?n,' Münchner Merkur (March 30, 1999).
Phillips, Christopher. 'Report from Istanbul: Band of Outsiders,' Art in America (April 2000).
Powell, Ivor. `Watch This Artist,' The Weekly Mail and Guardian (Johannesburg: March 18-24, 1994).
Sirmans, Franklin. `Steirischer Herbst '96: Barfly Theory at the Show,' Flash Art (No. 191: Nov - Dec, 1996).
Sonna, Birgit. 'Cindy Shermans kleine Schwestern,' Süddeutsche Zeitung (Munich: August 26, 1998).
Sonna, Birgit. 'Namen sind nur Schall und Rauch,' Süddeutsche Zeitung (Munich: March 31, 1999).
Spiegl, Andreas. `Inklusion/Exklusion: Kunst im Zeitalter von Postkolonialismus und globaler Migration,' Springer (Vienna: Band II, Heft 4/96).
Weibel, Peter (editor). Inklusion/Exklusion: Art in the Age of Postcolonialism and Global Migration. (Cologne: Dumont, 1997).
Zaya, Octavio. `An Interview with Candice Breitz: Racial Politics, Pornography and Representation,' Arude (Volume 2: Issue 2, 1996).
Zaya, Octavio. `Candice Breitz (GLOBAL ART),' Flash Art (No. 191: Nov - Dec, 1996).
Zaya, Octavio. Interferencias (catalogue). (Madrid: Tabapress, 1998).
Zaya, Octavio. `Reflections on Candice Breitz's Rorschach Series,' TRANS (New York: Winter, 1998).